The indie sci-fi Hyperfutura by James O'Brien is likewise an underground, experimental and cult film. By the late s and early s, the term had become blurred again, as the work at underground festivals began to blend with more formal experimentation, and the divisions that had been stark ones less than a decade earlier now seemed much less so. Though there are important distinctions between the two, a significant overlap between these categories is undeniable. Utilizing many New York based performers, their work generally contained camp elements and taboo themes. However, a studio film like Heathers may have a cult following, but could not be accurately described as an underground film. The films of Kenneth Anger , for example, could arguably be described as underground, experimental and cult. Through s and s, however, "underground film" would still be used to refer to the more countercultural fringe of independent cinema. Founded in by writer Reverend Jen and filmmaker Courtney Fathom Sell, the group avoided most modern methods of production, choosing to shoot all of their work on an outdated Hi 8 format and usually with no-budget. The term was embraced most emphatically by Nick Zedd and the other filmmakers associated with the New York-based Cinema of Transgression and No Wave Cinema of the late s to early s.

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By the late s and early s, the term had become blurred again, as the work at underground festivals began to blend with more formal experimentation, and the divisions that had been stark ones less than a decade earlier now seemed much less so. The term was embraced most emphatically by Nick Zedd and the other filmmakers associated with the New York-based Cinema of Transgression and No Wave Cinema of the late s to early s. The indie sci-fi Hyperfutura by James O'Brien is likewise an underground, experimental and cult film. The films of Kenneth Anger , for example, could arguably be described as underground, experimental and cult. Though there are important distinctions between the two, a significant overlap between these categories is undeniable. In the late s, "underground film" began to be used to describe early independent film makers operating first in San Francisco , California and New York City , New York , and soon in other cities around the world as well, including the London Film-Makers' Co-op in Britain and Ubu Films in Sydney, Australia. In the early s, the legacy of the Cinema of Transgression carried over into a new generation, who would equate "underground cinema" with transgressive art , ultra-low-budget filmmaking created in defiance of both the commercialized versions of independent film offered by newly wealthy distributors like Miramax and New Line , as well as the institutionalized experimental film canonized at major museums. Founded in by writer Reverend Jen and filmmaker Courtney Fathom Sell, the group avoided most modern methods of production, choosing to shoot all of their work on an outdated Hi 8 format and usually with no-budget. By the late s, the movement represented by these filmmakers had matured, and some began to distance themselves from the countercultural , psychedelic connotations of the word, preferring terms like avant-garde or experimental to describe their work. However, a studio film like Heathers may have a cult following, but could not be accurately described as an underground film. Taking place in basements across America, underground film has long had difficulties in gaining mainstream acceptance. List of underground cinema figures[ edit ]. Rise of the Cyborgs. In London the Underground resurgence emerged as a movement of Underground cinema clubs which included the radical open access group the Exploding Cinema. Utilizing many New York based performers, their work generally contained camp elements and taboo themes. Through s and s, however, "underground film" would still be used to refer to the more countercultural fringe of independent cinema. If the term is used at all, it connotes a form of very low budget independent filmmaking, with perhaps transgressive content, or a lo-fi analog to post- punk music and cultures.

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